- 1A-1 Nocturne Nr. 1 B-moll Op. 9 Nr. 1 5:09
- 1A-2 Nocturne Nr. 2 Es-Dur Op. 9 Nr. 2 4:45
- 1A-3 Nocturne Nr. 3 H-Dur Op. 9 Nr. 3 6:53
- 1A-4 Nocturne Nr. 4 F-Dur Op. 15 Nr. 1 4:27
- 1A-5 Nocturne Nr. 5 Fis-Dur Op. 15 Nr. 2 3:46
- 1B-1 Nocturne Nr. 6 G-moll Op. 15 Nr. 3 5:43
- 1B-2 Nocturne Nr. 7 Cis-moll Op. 27 Nr. 1 5:02
- 1B-3 Nocturne Nr. 8 Des-Dur Op. 27 Nr. 2 5:14
- 1B-4 Nocturne Nr. 9 H-Dur Op. 32 Nr. 1 5:09
- 1B-5 Nocturne Nr. 10 As-Dur op. 32 Nr. 2 5:37
- 2A-1 Nocturne Nr. 11 G-moll Op. 37 Nr. 1 6:22
- 2A-2 Nocturne Nr. 12 G-Dur Op. 37 Nr. 2 5:22
- 2A-3 Nocturne Nr. 13 c-moll op. 48 Nr. 1 6:31
- 2A-4 Nocturne Nr. 14 Fis-moll Op. 48 Nr. 2 6:04
- 2A-5 Nocturne Nr. 15 F-moll Op. 55 Nr. 1 4:59
- 2B-1 Nocturne Nr. 16 Es-Dur Op. 55 Nr. 2 4:56
- 2B-2 Nocturne Nr. 17 H-Dur Op. 62 Nr. 1 7:34
- 2B-3 Nocturne Nr. 18 E-Dur Op. 62 Nr. 2 6:33
- 2B-4 Nocturne Nr. 19 E-moll Op. Posth. 72 Nr. 1 3:49
- 2B-5 Nocturne Nr. 20 Cis-moll Op. Posth. 72 Nr. 2 3:58
- 2B-6 Nocturne Nr. 21 C-moll Op. Posth. “Trauermarsch” 2:33
Maltempo, Vincenzo-Chopin: Nocturnes Complete (2-LP)
3,800L
2-LP
Classical
The LP version of a new recording of Chopin’s Complete Nocturnes by Vincenzo Maltempo. Any new recording of the complete Nocturnes by Frédéric Chopin (1810-1849) rouses the interest: in the field of countless existing recordings, does the pianist have something new to say? Inspired by but not imitating the great masters of the Golden Piano Age, Vincenzo Maltempo presents the Nocturnes as dramatic tone poems with a strong narrative, based on the art of rhetoric and Belcanto. As a means to the expression of his ideas, he found an 1888 Steinway grand with an exceptionally wide dynamic range and singing tone. The result is an enervating and moving journey through these eternal masterpieces! Italian pianist Vincenzo Maltempo, one of the most interesting pianists of the young generation, made his name in his staggering recordings of unjustly forgotten romantic repertoire: Transcendental Studies by Lyapunov (Piano Classics, PCL0124) received 5 stars in several classical magazines (a.o. the French Diapason). His recording of Liszt’s Hungarian Rhapsodies (PCL D0108) received rave reviews, a Gramophone Editor’s Choice: “extraordinary breadth and nobility…little short of perfection…”, “9/9, close to ideal” (Jed Distler Classicstoday.com). His recordings of Alkan have “confirmed his place in the restricted circle of Alkan’s best performers, 5 stars” (Diapason), “Exhilarating, thrillingly demonic, 5 Stars” (Andrew Clement in The Guardian).
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